After a successful start in 2021, the International Schimmel Piano Competition is going into the second round!
Apply online until the 31st of May, 2022 with a video and your written programme conception to participate in the International Schimmel Piano Competition 2022.
The International Schimmel Piano Competition is organized by Wilhelm Schimmel Pianofortefabrik GmbH in Germany and will be held in its second edition in 2022. The competition is for pianists aged 18 to 32 who are currently undergoing or have completed professional musical training. In addition to the quality of the performance, the focus of the competition lies in the conception of the presented programme, which must follow a theme chosen by the participants.
Public evaluation games
23 - 24. September 2022
Schimmel Concert Hall| Braunschweig
Public concert of prizewinners
25. September 2022
Lessingtheater | Wolfenbüttel or Schimmel Concert Hall| Braunschweig (depending on current Corona regulations)
REGISTRATION & PRESELECTION
Apply by the 31st of May 2022 with a video and your written programme conception to participate in the International Schimmel Piano Competition 2022: Registration
23-24 September 2022: First round in the Schimmel Concert Hall, Braunschweig:
The participants present a 20-30 minute programme of their own design to the jury and the audience. The participants have the opportunity to explain their programme idea in an introduction of maximum 2 minutes (in German or English) before the start of the competition.
The six participants with the highest number of points will reach the final round.
25 September 2022: Final round in the Schimmel Concert Hall, Braunschweig:
The participants will present a second programme of their own design with a duration of 30-50 minutes. The participants again have the opportunity to explain their programme idea to the jury and the audience in an introduction of maximum 2 minutes (in German or English) before the beginning of the competition.
25 September 2022: Laureate concert in the Lessingtheater, Wolfenbüttel or in the Schimmel Concert Hall,
Braunschweig (depending on the current Corona regulations):
The three participants with the highest score will present their programmes from the final round in a public prize-winners concert.
Please note: Photos and films will be taken during the event for public relations purposes.
1st prize 6.000,- Euro
2nd prize 3.000,- Euro
3rd prize 1.500,- Euro
Audience Award 500,- Euro
Schimmel Pianos has already organized concert tours with selected artists on a regular basis in the past. All competition winners have the exclusive opportunity to be selected on the basis of their outstanding performance and special suitability to plan and organize a concert tour in collaboration with Schimmel Pianos in the coming years.
The distinctive feature of the Schimmel Piano Competition is that the program to be performed must be independently conceived and follow a thematic idea. The result should be an attractive concert program in which the concept of the program is ideally already understood from its title and the chosen works without further oral or written explanations. Thus, in addition to the pianistic-artistic quality, the attractiveness and originality of the submitted concert programs will also be evaluated.
The program concept can deal with the connections as well as with contrasts and breaks between the individual works, and thus show references beyond the boundaries of epochs and genres. Improvisations and compositional interventions are permitted if the concept convincingly demands them. A curious immersion in the abundance of piano literature is strongly recommended!
The themes or headings of the program concepts may be abstract or concrete, and may be drawn from all sorts of fields: Mythology, literature, everyday life, nature, history, visual arts, life experience, technology, psychology. These are just a few examples. However, compositional or instrumental features can also be used to create a consistent program (e.g. "preludes", "capriccio", "staccato", "octaves"). Therefore, the possibilities are limitless.
Decisive in the conception of the program are artistic independence, individuality, originality, comprehensibility and attractiveness (entertainment value, pedagogical effects) for an audience. Participants have the opportunity to explain their program idea to the audience and the jury in a maximum 2-minute introduction in German or English before the start of the competition. This introduction is desirable.
The individual works of the program can be chosen freely and should, of course, meet high pianistic-artistic standards.
Two different program concepts must be prepared for the first round and the final round. Works from the first round may only be repeated in the final round if it is necessary for the realization of the intended program idea.
Concept example for the 1st round on the topic of "Dance voyage through the world of the 19th century"
Duration of the first round: 20 to 30 minutes
Dance functions without any words and is therefore found in all nations and social classes, but can also be communicated across borders. In the piano music of the 19th century, there are excellent compositions for the folk dances practised at that time in practically every country. For a journey around the world, the works of these 4 composers offer an excellent cross-section:
Moritz Moszkowski's Polonaise op. 55 belongs to a collection of four Polish folk dances. The Polonaise with its catchy melody sounds very majestic and dignified, but thus also perfectly corresponds to the character of this Polish national dance.
In the nine-part cycle Valses poeticos, Enrico Granados makes the waltzes sound less vivacious and more poetic. The Spanish soul can be found in the tender, melancholy melodies, which wonderfully "turn" and "waltz".
"Bamboula" was originally the name of an African drum dance with the characteristic of shouting, rattling, twirling and contorting. In the 19th century, black slaves in New Orleans in particular danced the Bamboula and sang to it in their respective languages, sometimes with the support of drums and wooden trumpets.
With the Tarantella, a folk dance from southern Italy, Mili Balakirew has composed an energetic piano piece that demands a lot from the pianist, but also corresponds very well to the character of the dance. The wild tarantella dance was performed by people after a scorpion or spider bite in order to expel the poison from the body.
Concept example for the 2nd round on the topic of "Composed Improvisation"
Duration of the final round: 30 to 50 minutes
The works in this example move between the traditional improvisation of the Baroque, which is presented here in composed form, and aleatoric music, which demands improvisational actions from the performers. In between, the historically interesting variations KV 455 by Mozart, which the composer improvised as an encore in honour of Christoph Willibald Gluck, who was present at a concert, and which was later written down.
Who can participate?
Participants must be between 18 and 32 years of age at the time of the competition. Pianists who are in or have completed professional musical training are eligible to participate.
How do I register?
Apply before the 31st of May 2022 with a video and your written programme conception to participate in the International Schimmel Piano Competition 2022: Registration
What do I need to register online?
We also need from you:
* What should I consider when creating the video?
Please name the files "surname_first_name_file" (e.g. smith_john_video.mp4).
Your registration is only valid upon complete receipt of the files mentioned.