INTERNATIONAL SCHIMMEL Piano Competition 2022

23-25 SEPTEMBER, 2022 | BRAUNSCHWEIG, GERMANY


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The participants of the second International Schimmel Piano Competition have been determined!

 

After a pre-selection by our jury, 24 pianists have been selected to participate in the live rounds from 23 to 25 September. Six of the participants will move on from the preliminary round to the final round on 25 September, after which the winners will give a prize-winners concert in the evening.

 

Attend the public final from 23 to 25 September 2022 at the Schimmel Konzertsaal in Braunschweig. Admission to the final is free of charge. More information will be available shortly on this website.

 

We thank all applicants for submitting many exciting and attractive concert programmes.



 

INTERNATIONAL SCHIMMEL PIANO COMPETITION

The International Schimmel Piano Competition is organized by Wilhelm Schimmel Pianofortefabrik GmbH in Germany and will be held in its second edition in 2022. The competition is for pianists aged 18 to 32 who are currently undergoing or have completed professional musical training. In addition to the quality of the performance, the focus of the competition lies in the conception of the presented programme, which must follow a theme chosen by the participants.


Piano keys

When and where?

Public evaluation games

23 - 25. September 2022 

Schimmel Concert Hall| Braunschweig

 

Public concert of prizewinners

25. September 2022

Schimmel Concert Hall| Braunschweig

 

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REGISTRATION & PRESELECTION

 

The registration for the International Schimmel Piano Competition 2022 is closed!

 

COMPETITION

 

23-24 September 2022: First round in the Schimmel Concert Hall, Braunschweig:

The participants present a 20-30 minute programme of their own design to the jury and the audience. The participants have the opportunity to explain their programme idea in an introduction of maximum 2 minutes (in German or English) before the start of the competition.

The six participants with the highest number of points will reach the final round.

 

25 September 2022: Final round in the Schimmel Concert Hall, Braunschweig:

The participants will present a second programme of their own design with a duration of 30-50 minutes. The participants again have the opportunity to explain their programme idea to the jury and the audience in an introduction of maximum 2 minutes (in German or English) before the beginning of the competition.

 

WINNERS' CONCERT

 

25 September 2022: Laureate concert in the Schimmel Concert Hall, Braunschweig:
The three participants with the highest score will present their programmes from the final round in a public prize-winners concert.

 

Please note: Photos and videos will be taken during the event for public relations purposes. 

 



Piano iron plate

Awards

1st prize 6.000,- Euro

2nd prize 3.000,- Euro

3rd prize 1.500,- Euro 

Audience Award 500,- Euro

 

Schimmel Pianos has already organized concert tours with selected artists on a regular basis in the past. All competition winners have the exclusive opportunity to be selected on the basis of their outstanding performance and special suitability to plan and organize a concert tour in collaboration with Schimmel Pianos in the coming years.



piano notes

Repertoire (please read carefully!)

The distinctive feature of the Schimmel Piano Competition is that the program to be performed must be independently conceived and follow a thematic idea. The result should be an attractive concert program in which the concept of the program is ideally already understood from its title and the chosen works without further oral or written explanations. Thus, in addition to the pianistic-artistic quality, the attractiveness and originality of the submitted concert programs will also be evaluated.

 

The program concept can deal with the connections as well as with contrasts and breaks between the individual works, and thus show references beyond the boundaries of epochs and genres. Improvisations and compositional interventions are permitted if the concept convincingly demands them. A curious immersion in the abundance of piano literature is strongly recommended!

 

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The themes or headings of the program concepts may be abstract or concrete, and may be drawn from all sorts of fields: Mythology, literature, everyday life, nature, history, visual arts, life experience, technology, psychology. These are just a few examples. However, compositional or instrumental features can also be used to create a consistent program (e.g. "preludes", "capriccio", "staccato", "octaves"). Therefore, the possibilities are limitless.

 

Decisive in the conception of the program are artistic independence, individuality, originality, comprehensibility and attractiveness (entertainment value, pedagogical effects) for an audience. Participants have the opportunity to explain their program idea to the audience and the jury in a maximum 2-minute introduction in German or English before the start of the competition. This introduction is desirable.

 

The individual works of the program can be chosen freely and should, of course, meet high pianistic-artistic standards.

 

Two different program concepts must be prepared for the first round and the final round. Works from the first round may only be repeated in the final round if it is necessary for the realization of the intended program idea.

 

Concept example for the 1st round on the topic of  "Dance voyage through the world of the 19th century"

  • Moritz Moszkowski (1854–1925): Polonaise in B minor, op. 55 no. 3 (5,30 min.)
  • Enrico Granados (1867–1916): Valses poéticos (11 min.)
  • Louis Moreau Gottschalk (1829–1869): Bamboula, op. 2 (7 min.)
  • Mili Alexejewitsch Balakirew (1837–1910): Tarantella in B major (7 min.)

Duration of the first round: 20 to 30 minutes

 

Dance functions without any words and is therefore found in all nations and social classes, but can also be communicated across borders. In the piano music of the 19th century, there are excellent compositions for the folk dances practised at that time in practically every country. For a journey around the world, the works of these 4 composers offer an excellent cross-section:

Moritz Moszkowski's Polonaise op. 55 belongs to a collection of four Polish folk dances.  The Polonaise with its catchy melody sounds very majestic and dignified, but thus also perfectly corresponds to the character of this Polish national dance.

In the nine-part cycle Valses poeticos, Enrico Granados makes the waltzes sound less vivacious and more poetic. The Spanish soul can be found in the tender, melancholy melodies, which wonderfully "turn" and "waltz".

"Bamboula" was originally the name of an African drum dance with the characteristic of shouting, rattling, twirling and contorting. In the 19th century, black slaves in New Orleans in particular danced the Bamboula and sang to it in their respective languages, sometimes with the support of drums and wooden trumpets.

With the Tarantella, a folk dance from southern Italy, Mili Balakirew has composed an energetic piano piece that demands a lot from the pianist, but also corresponds very well to the character of the dance. The wild tarantella dance was performed by people after a scorpion or spider bite in order to expel the poison from the body.

 

Concept example for the 2nd round on the topic of "Composed Improvisation"

  • Johann Sebastian Bach (1685-1750): Chromatic Fantasia and Fugue, BWV 903 (12 min.)
  • Wolfgang Amadeus Mozart (1756-1791): Variations in G major, KV 455 "Unser dummer Pöbel meint" (13 min.)
  • Ludwig v. Beethoven (1770-1827): Fantasia in G minor, op. 77 (10 min.)
  • Frédéric Chopin (1810-1849): Prelude in F minor, op. 28 no. 18 (1 min.)
  • Karlheinz Stockhausen (1928-2007): Klavierstück XI (14 min.) 

Duration of the final round: 30 to 50 minutes

 

The works in this example move between the traditional improvisation of the Baroque, which is presented here in composed form, and aleatoric music, which demands improvisational actions from the performers. In between, the historically interesting variations KV 455 by Mozart, which the composer improvised as an encore in honour of Christoph Willibald Gluck, who was present at a concert, and which was later written down. 

 



Piano Competition

How can I participate?

Who can participate?

Participants must be between 18 and 32 years of age at the time of the competition. Pianists who are in or have completed professional musical training are eligible to participate.

 

How do I register?

 

The registration for the International Schimmel Piano Competition 2022 is closed!

 

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What do I need to register online?

  • Your application video*
    • Length: 10-15 min. // Format: .mp4 // Size: maximum 1 GB
  • A portrait photo
    • Format: .jpg, .png // 300 dpi // Size: maximum 10 MB
  • Copy of your passport or identity card
    • Format: .jpg, .png, .pdf // Size: maximum 10 MB

We also need from you:

  • The programme concepts for the first round (20-30 minutes) and the final round (35-50 minutes), including the planned play literature (maximum one DIN A4 page per concept + title of the pieces, composers, length of the pieces).
  • Your brief vita (max. 2500 characters)

* What should I consider when creating the video?

  • Play a freely chosen repertoire for piano solo with a duration of min. 10, max. 15 minutes
  • Your face and hands should be clearly visible
  • The video should be uncut and unedited (without effects, zoom, titles or fades)
  • The sound recording should be of good technical quality (no dynamic compression)
  • The video should not be older than six months at the time of application

Please name the files "surname_first_name_file" (e.g. smith_john_video.mp4).

Your registration is only valid upon complete receipt of the files mentioned. 

 



2021 WINNERS

Raimu Satoh first prize winner 2021
Nicole Rudi second prize winner 2021
Daria Parkhomenko third prize winner 2021


Musikalische Symbole